Fourfold - Meditation 1.4

While Christine Soccio, John Spano and I embarked on our collaborative installation[link coming soon] for Fourfold, (I just threw a lot of links at you... I'll give you a second to mine them. Go ahead, I'll wait right here...) we each also began working on individual projects that would be informed by each other's practices in the spirit of the collaborative exhibition.

These two QR code mandala drawings are the result: Meditation 1.4.1 (Thusness, Elseness; Fourfold [RJP] and  Meditation 1.4.1 (Thusness, Elseness; Fourfold [SPH].

During the first half of the exhibition in Newark at Solo(s) Project House, there was also a corresponding exhibition in its sister space in New York, R.Jampol Project(s). Each drawing hung in one of the two venues and the QR code, when scanned, would take the viewer to a live feed video of the other venue. Once the second exhibition in NY closed, the QR switched to a live stream of the Newark venue, so the viewer would see a quasi-recursive live video of himself viewing a live video of himself viewing a live video of himself... you get the picture. And here's how I got to the picture: 

PROCESS

The imagery began with Christine's Ammann Grid, an aperiodic pattern central to a lot of her work, which has underpinnings in particle physics and quasicrystals. 

Then I masked off the floor plan of the gallery on my paper, to become the basis of the mandala structure ("Thusness" mandalas, after all, are traditionally floor plans of sacred spaces like temples, which double as architectural metaphors for the cosmos).

Then, borrowing from a technique I had developed in previous drawings in my Meditations series, I overlaid the grid onto the paper and began tracing it, impressing the lines into the page below.

That would allow me to then rub charcoal over the paper in a style reminiscent of John Spano's smoke installations, and reveal the gridlines underneath. Smoke, revealing the underlying aperiodic structure behind the cosmic diagram.

Next, borrowing from my own apophatic tool bag, I used erasure to create the QR code, masking off and erasing out the white parts of the code, pixel by pixel.

The final step was to overlay the detail work on the floor plan shape itself, technological symbolism reminiscent of my first QR mandala, Meditation 1.1

And the final product:

Meditation 1.4.1 (Thusness, Elseness; Fourfold [SPH])

 Lastly, I repeated the process for the second drawing, using the floor plan of the second venue, and a more radially asymmetrical composition, which I felt not only reinforced the floor plan of the space, but also the de-centered nature of the emerging post-modern cosmology, delivering truth through a physically and digitally bifurcated space.

The final:

Meditation 1.4.1 (Thusness, Elseness; Fourfold [RJP])

After the close of Fourfold, I'm planning to recode the QR codes to send the viewer to compiled footage of the exhibition in lieu of the live stream. It raises the interesting question of temporal, site specific work in a collection context. One of the many intriguing problems of New Media art, but, in light of the impermanence of conventional sand mandalas, perhaps a fitting one.

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A Directory of the other posts about this project:

THE COLLABORATION:

Fourfold - A Collaborative Exhibition - our first site visit and the beginnings of our concept for the show

Fourfold Collaboration - building and installing the main collaborative installation

INDIVIDUAL WORKS:

Fourfold - Meditation 1.4 - Behind the scenes of my site specific drawings for the exhibition (You are Here)

The Threefold Fourfold, In Twofold Fivefold - Behind the scenes of my fourfold projection negation project

FINISHED PROJECTS:

The Finished Fourfold: Collaboration and Multi-Site Exhibition - An overview of the finished exhibition

The Final Fourfold (Four Now...) - Images from the opening reception and other events

Intro to New Media Art Workshop

FRIDAY 6/26

https://collectivearttank.com/event/intro-to-new-media-art/

Interested in New Media but don’t think you have the knowledge to break in? Don’t know where to start? The days of “creative coding” and “computer vision” intimidating artists are over! This New Media for Dummies style class will prove you can teach an old dog new media (young dogs welcome too)! Walk away with a working understanding of code-based artwork, and a finished project or two to prove it!

No prior programming experience necessary, but a basic understanding of computers is recommended. Bring your laptop and leave with a new medium in your tool belt!

Students should bring: 

– Laptop computer

– Webcam (if you own one) – a built-in laptop camera will work.

Fourfold - A Collaborative Exhibition

What makes up reality? Is the whole a sum of its parts or could the parts themselves each be containers for the whole? What do we make of interweaving, subjective experiences at their most primary, phenomenological level? Martin Heidegger's "fourfold" plies together the seeming dichotomies of Earth and Sky, Mortals and Divinities, as in fact codependent, relationally intertwined aspects of our dwelling in the world.

In “Fourfold” Christine Soccio, John Spano & Eric Valosin likewise ply together their practices to explore the implications of various perspectives on reality. Soccio’s approach is scientific and pattern based, using irregular, non-repeating patterns in her sculptures and light installations to reveal the underpinnings of an emergent coherence to the world. Spano’s view evokes nature’s reaction to the human infestation, using symbols of environmental contamination such as smoke, hazmat suits, and artificial light. Finally, Valosin delves into the mystical, exploring post-secular society using painting, projection, and interactive new media.

Catalyzed by the similarities in their material approaches, the artists press their differences and incompatibilities into close collaboration, together opening a dialogue about a larger worldview emerging from the “Fourfold” around us.

In this exciting upcoming exhibition Christine, John and I have been holing up in the studio together, collaborating on this dual-site show. The main event will be the three-person show in Newark's Solo(s) Gallery, but meanwhile we will also be rotating out each week with solo projects in the site's sister space, R.Jampol Project(s) in the Lower East Side in Manhattan. What's more, the two sites will be virtually intermingled via live stream video projection.

We've been digging into some of the recurrent themes of each of our practices to examine how they might interact with each other. We've begun mashing together our media of projection, sculpture, text, glow-paint, smoke, and interactive technology, and splicing together Christine's use of aperiodic patterning like the Ammann Grid and Penrose Tiling, my interest in mandala forms and alethic negation, and John's interest in public intervention/activist art, eager to see what emerges...

From our initial site visit to Solo(s)

Side room at Solo(s) - we're planning to reshape the hole in the wall and project into this room as part of our collaborative piece.

Another side room at Solo(s) that will most likely house the live stream video from NY

R.Jampol Project(s) in the LES

As all of us work with light based media, the gallery will become a light box of sorts, viewed from outside

In the heart of the Solo(s) gallery will be a multi-layered, multi-room collaborative projection piece. But besides that, the Newark exhibition will also feature individual projects from each of us. I've got an interactive projection negation piece in the works, as well as a pair of site-relavent QR mandala drawings.

More coming soon...

---

A Directory of the other posts about this project:

THE COLLABORATION:

Fourfold - A Collaborative Exhibition - our first site visit and the beginnings of our concept for the show (YOU ARE HERE.)

Fourfold Collaboration - building and installing the main collaborative installation

INDIVIDUAL WORKS:

Fourfold - Meditation 1.4 - Behind the scenes of my site specific drawings for the exhibition

The Threefold Fourfold, In Twofold Fivefold - Behind the scenes of my fourfold projection negation project

FINISHED PROJECTS:

The Finished Fourfold: Collaboration and Multi-Site Exhibition - An overview of the finished exhibition

The Final Fourfold (Four Now...) - Images from the opening reception and other events

Voyage to the Virtual and Other Great Art

Must see show at the Scandinavia House (of all places) in NY: Voyage to the Virtual!

I learned of the show because of Olafur Eliasson's participation; ironically his piece (maybe the most low tech of all of them) stopped working and had to be sent back to be fixed, but the rest of the show's impossible-to-pronounce participants turned out to be FANTASTIC.

Highlights include an interactive canoe you can physically ride (mechanical bull style) through a 3D virtual seascape, a soundwave-to-light wavelength rendering of the Aurora Borealis, and a computer animated exploration of a mythical city-turned-psychological interior landscape.

Also finally made it over to see Saya Woolfalk's spectacular show at Leslie Tonkanow, and then be bombarded by low-fi televisions in the nearby Nam June Paik exhibit.

Go see this stuff! What are you waiting for? (unless you're waiting to scroll down and see what I had to say about it all... or clicking on the link above to read more... then fine, you can wait. But then get out there and go see some art!)

JETTE GEJL KRISTENSEN
in association with
PETER MØLLER-NIELSEN

Hyperkinetic Kayak, 2010
Interactive installation

Don 3D glasses and board the kayak, which physically tilts and shifts as you paddle and steer. The imagery is generated based on temperature data from Qaanaaq, Greenland (displayed opposite the projection). It was just abstract enough to avoid becoming gimmicky, reading like almost like an ecological, Zen video game, without objective, reward, or failure. When your kayak plunges below the surface or collides with an iceberg, you you merely occupy a different visual space, but there's no sinking or crashing per se. Just pure exploration and immersion in the polygonal world.

ANN LISLEGAARD

Bellona (after Samuel R. Delany), 2005
3D animation with sound, 11 min.

I was surprised by how much I loved this piece, which transforms the mythical city Bellona into a psychological landscape in the form of a house of colored rooms. The lights periodically turn on and off, and the walls and doors are at times reflective as the camera meanders through the Turrell-colored rooms, yielding a disorienting architecture. What really made this piece was the quality of the projector, actually, which produced so crisp an image, fit perfectly to a large "screen" proper askance in the corner of the room, making the whole virtual enterprise seem tangible - almost more real than reality. I do take issue with the wall text:

I didn't experience it to be at all as volatile and chaotic as it claims, in fact I thought it to be pretty serene and orderly, if a bit foreboding because of the pregnant emptiness of the rooms.

KATJA AGLERT

32013 Years of Aurora Evolution, 2013
Mixed media installation

A brilliant new-media continuation of a 30,000 year old train of thought, translating sound recordings of solar activity into light wavelengths, projected into a cube to end up becoming a rendering of the Northern Lights.


For more about the show, check out http://virtualvoyage.org, especially the artworks tab. It's well worth your while if you can't get out to see it.

---

some other cool stuff I visited...

Nam June Paik
James Cohen Gallery

Michael Snow
So Is This

The 3 channel video flickers words in German, English, and French, exchanging moments of  synchronizations of translation. After a 15 or so minute sequence, the videos rotate location. I wish I could have spent more time with the piece, but it seemed a striking bombardment of semiotics.


Saya Woolfalk
ChimaTEK, Leslie Tonkanow

A super-cohesive exhibition with just enough didactic elements to hook the uninitiated into the world of the Empathics without closing it off to interpretation and experience. The real power of her work (besides the stunning visuals and rich, invented anthropology) is its metaphorical equivalencies to the "real world," commenting not only race and ethnicity, but ecology, ritual, and technology.

The more I looked at this video piece (on a screen hung vertically), the more I became convinced that this is what a digital painting should be. Captivatingly fluid animation and coloration, moving just subtly enough to be alive but without ever straying from its static mandala-like composition. Really convincingly toes the line between the still and the moving image, the representative and the performative.

(Web) Crawling Out From Between a QR and a Hard Place

So you want to make a QR code that points to a randomized website, eh?

So did I, and when I was in grad school for my MFA I hacked together a number of somewhat unstable solutions. I recently overhauled my approach to this challenge, when bits of my artwork started falling apart around me and I found I needed to take matters into my own hands. Disclaimer: I'm not a programmer by trade AT ALL, but just a quick learner who gets obsessed easily and can share what knowledge I've accumulated. Here's a bit of a narrative tutorial that can help you learn from my trial and error.

----

Now then,

If you're looking to make a random QR code there are 3 things to consider:

1. the destination url - how to get a single url to redirect to another randomly selected url (the hard part)
2. the short link to that url - in order to make the destination url short enough to conveniently fit within a QR code's character limits
3. The QR code itself - translating that url into the pattern of black and white squares. (the easy part, sort of)

There are a few ways to do this, depending how hacked and how proprietary you want the solution to be. 

THE EASY WAY... (aka learn from my mistakes)

...is simply to find someone else's pre-existing website that has a link to a random website, and copy their link address into a QR code generator, and there you go. When I first created Meditation 1.1 that's what I did. It works excellently in the short term but it ended up giving me a lot of issues in the long run because I didn't have any control over the back end of things. 

Problem 1: Last summer, during an exhibition, it came to my attention that my piece was leading people to error 404 messages. As it turned out, the QR code generator I had used (sparqcode.com) was bought out by another company and then migrated and dissolved. The code itself was still scannable but because the QR code generator automatically shortened my destination url to its own proprietary short link (to get it to fit within the dimensions of their QR code), when the company went down it took all its short links with it. Even though my destination url (the randomizing link) was still functioning, the QR code no longer pointed people to it.

Solution: I ended up having to choose a different QR code generator (qrstuff.com) and remake all my QR codes (a huge headache when those codes are hand drawn into artwork and published in print...)

Problem 2: Once I reconnected my codes to the destination url,, the person who ran that website whose randomizing link I used (the now defunct randomwebsite.com) decided to shut down his website, so that link went dead (in the middle of another exhibition of mine, I might add!) My QR code still functioned, and the short link encoded into it still worked, but this time when viewers landed on the destination url that was supposed to redirect them to a random website, they'd get another a error 404 message. 

Solution: found a new randomizing destination website link (like uroulette.com for example), and start all over - new QR, new short link, etc.

Problem 3: This wouldn't be so bad if you could simply adjust the destination url, keeping the short link the same (that way the link encoded into the QR code doesn't change and you don't have to redraw the code, it just points somewhere different.) However most free QR code generators online will automatically shorten the link you enter to make it fit into the QR code, but they don't let you adjust the destination url that the short link points to. When my randomizing destination url went dead, I had no way of changing it, thus I had to entirely remake the QR code every time.

Solution: I switched from relying on a QR code generator's proprietary link shortener, to using the goo.gl link shortener, which lets you adjust the destination url each short link points to. That way if randomwebsite.com goes down, I can switch the link to uroulette.com without changing the QR code. I also figured Google's going to stick around longer than, say, bit.ly or tinyurl.

THE HARD WAY (aka, the real way to do it)

That's ok if you don't mind some instability, but with all these things falling apart, I really wanted to take all of this into my own hands to get rid of the proprietary uncertainty. So I decided to code my own randomizing url, link shortener, and QR code generator from scratch and host them on my own website, so nobody can mess me up but me. This is the solution I now use:

QR Code Generator: Coding this is the easy one, because you don't need to do it! In my research I've learned that a QR code is a QR code is a QR code, and it doesn't matter who makes it. Once its made it will always be readable even if the generator goes out of business (like a poem will always be readable even if the author dies.). Besides, to actually translate the url into the black and white pixels yourself involves a ridiculous amount of advanced algebra and calculus. Seriously. I tried, and it's not worth it. (if you're curious, you can learn about it here). So just use someone else's QR code generator, but don't let them shorten your link (do that part yourself)

Link Shortener: This one's not too bad either. There are open source programs you can download, like the php/mySQL based yoURLs. This works great for most people and puts all the control in your hands, letting you adjust anything you want, host it on your own website, and even make it public for other people to use (creating your own bit.ly etc) if you want. For some reason it didn't work for me though (some unidentifiable configuration discrepancy, I don't know).

My workaround: The maximum character limit for a QR code varies by the dimensions of the code and error correction level, but for what I wanted It just so happened that the domain I already had was short enough that I could use it, with an extension of up to 3 other characters and still have it fit within a 25 x 25 QR code grid. (i.e. http://mydomain.com/123 does not need to be shortened further).

So I created a subdomain on my website that would be used specifically just for this hacked link shortener, and filled it with pages titled with no more than 3 letters, each holding a php header redirect script that redirects to whatever given destination url I want. (I also had to add an .htaccess file on my site that gets rid of the ".php" in the url to make sure it didn't get too long -"http://mydomain.com/123" instead of  "http://mydomain.com/123.php") 

If I want to change where the short link points, all I have to do is open the file and adjust the redirect code. I designated one of these "short links" on my site to where I had stored the following web scraper that does the heavy lifting...

Random Website: This was the hard part, really. One possibility is to create a program that essentially compiles random letters and numbers until it stumbles onto a valid url (the monkey typing shakespeare approach), but that hardly seemed practical and exceeded my knowledge of coding. So, unless you want to hand compile an exhaustive list of all possible extant websites and enter them into your array of possible sites to redirect to randomly, you have to rely on preexisting lists. There's really no such thing as an exhaustive list of valid urls, really, but I've found a few useful, legit websites that are trying their darnedest to index the internet. the DMOZ project has been around for a decade or so and seems pretty stable, and it catalogs thousands and thousands of sites and organizes them by category. In fact, I discovered that uroulette.com actually uses their database to point viewers to the random site. There's also the Internet Archive (which is like a time capsule of the internet) and The Alphabetical Web Directory (which is a little easier to search but seemed less extensive).

So I decided to go straight to the source and build a php web crawler that scrapes all the data off the DMOZ home page and looks for links. It picks one of them at random and uses a regular expression to decide whether that link is external (to a site outside of the DMOZ directory) or internal (another subcategory within the DMOZ directory). If it's external, it redirects the browser to that site (ta-daa!!). If it's internal, it follows that link to the next page and scrapes it all over again looking for the next randomly selected link, repeating the process further down the rabbit hole until it eventually lands on some random external link and redirects there (ta-daaaa!!!). I still need to tweak the code a bit, but it works pretty well for the most part.

FOR DETAILS ON HOW I BUILT THIS WEB CRAWLER, CLICK HERE

And there you have it! If any part of any of this breaks on me now - if DMOZ shuts down, or if my short link goes dead, etc - I can adjust any part of this process inside the code on my website without effecting any of the QR codes pointing to them!

SO:

If you want less of a headache, go with the easy route (good luck finding one though). But if you want something more stable or are a more competent programmer than me, I advise the hard way.

GOOD LUCK!

Resources for Building a Link to a Random Website

Consider this a "for-dummies" resource base written by a former dummy who wants to save some other dummies a headache or two.

Background:

Several of my past projects had used a QR code that linked to a random website. I had taken the easy route at the time, linking to a random website generator someone else had already created:

Some Examples of Existing Generators:

• URouLette.com
• RandomWebsiteDotCom 
• Mangle 
• List of Random Websites

But when the link I used went dead, I needed to start figuring out how to build and host this myself. Hopefully this can prove helpful to anyone who might be trying to do something similar, starting from as little a knowledge base as I did.

I knew I essentially needed to compile an array of URLs and then randomly pick one to redirect the user's browser to. However, I didn't want to have to compile and meticulously update an exhaustive list of all viable urls on the internet by hand, so I decided to try to tap into a reliable pre-existing database.

That's when I discovered the DMOZ Open Directory Project. It is an extensive and longstanding project backed buy Yahoo and a number of other reputable organizations, and attempts to catalog the entire internet, and it happens to be the resource that many of these generators use anyway.

Some Other Useful Attempts to Catalog the Internet:  

• DMOZ
• The Internet Archive 
• Yowl

 The Solution: 

I endeavored to design a web crawler using PHP which would pore over the DMOZ directory and randomly extract a web address to follow.

THE CRAWLER

For the code for a good, super simple, web crawler that scrapes a site for its links I suggest you look here, as I did. The example script here became the basis for my crawler. It has 2 basic parts (follow the link above for the visual):

• The first part (first 2 lines of code at the link above) scrapes all the data from the given page and strips it of all html tags except those tags pertaining to links. This file can be printed out using the commented out "debug" lines of code to get an idea of just what's going on.
• The second part (the "preg_match_all..." line) uses what's called a "regular expression," a code to look through that stripped version of the page and find everything that matches a given perimeter - in this case, everything that is a link, and stores them as entries in an array

REGEX - VERY IMPORTANT NOTE: regular expressions (or "regex") are stupidly opaque and very difficult to learn (think The Imitation Game), but they're SUPER useful.  Here are the resources I used in order to build the guts of my crawler:

• Here's a dynamite resource for learning Regex, with tutorials and tests
• and then once you've got the hang of the concept, here's a great place to test out and experiment with regular expressions. It only works with preg_match [only find the first match and then stop] which is not so useful for your crawler but it color codes the syntax which is REALLY helpful in demystifying why something works or doesn't work
• and here's a second equally useful test sandbox. this one does preg_match_all [finds every match instead of just the first one], which is what you'll want in your final product. 

Applying this to DMOZ

My crawler uses this as its basis, but because the DMOZ website has layers of sub-categorizations before you find any external links, it has to iterate through the scraping process several times. My crawler looks at the home page of DMOZ and uses a Regex to create an array of all the directory's category links. It then chooses one element from that array at random and follows it to Level 2. At this second level, it repeats the process, scraping and searching for all links, iterating deeper and deeper until it terminates at an external URL. I customized the regex to weed out irrelevant links, trying to get either to an external url, or to the next level of depth within the categorization of the DMOZ directory.

If the link it randomly selects from the created array is internal, it follows that link and repeats the process again. If the link is external, it stops there and redirects to that link. I'm still tweaking the regex to get this as clean as possible, but it is essentially functional.

The Redirect is a simple PHP header redirect to this final external URL, as you'll see in the code.

Below is my CODE...

which you can feel free to use and experiment with. I simply ask that you give any credit where credit is due, and pass on the help to others (random website generators are cool. Plagiarism and selfishness aren't).

I don't claim this to be flawless or even pretty (in fact I'm pretty sure I could find a way to condense the second and third level iterations into one block of code, and I need to tweak the regex to stop favoring musicMoz, wikipedia, and other external directories that don't technically terminate the search for a URL). This was actually my first time using PHP at all, so a better programmer could surely find a more elegant and robust solution, but nonetheless, it's a starting point. Enjoy!

1:  <?php  
2:    
3:  // Crawls DMOZ directory for all relevant links, picks one at random to follow, and repeats that process until terminating at an external link, which it then redirects to.  
4:  // The original code and regular expression off of which this was adapted was as follows:   
5:  //     $original_file = file_get_contents("http://www.domain.com");  
6:  //     $stripped_file = strip_tags($original_file, "<a>");  
7:  //     preg_match_all("/<a(?:[^>]*)href=\"([^\"]*)\"(?:[^>]*)>(?:[^<]*)<\/a>/is", $stripped_file, $matches);  
8:  // If DMOZ ever crashes, simply change the destination on the first line of code and adjust the regex for something appropriate for the new link.  
9:    
10:  //---- HOMEPAGE LAYER ---------------       
11:    
12:   $original_file = file_get_contents("http://www.dmoz.org");   
13:       // gets the contents of the dmoz website homepage  
14:   $stripped_file = strip_tags($original_file, "<a>");   
15:       // strips file of all tags except <a>  
16:   preg_match_all("~<a(?:[^>]*)href=\"(\/(?!World)[A-Z]\w+)\/\">[^\"]*\"(?:[^>]*)>(?:[^<]*)<\/a>~s", $stripped_file, $homepageLinks);   
17:       // searches content for all directory related links except for "/World" in [0], and captures the relevant parts of url in [1]  
18:         
19:   $randomFromHomepage = $homepageLinks['1'][array_rand($homepageLinks['1'],1)];  
20:       // selects a random element from the $homepageLinks array  
21:    
22:            //-- DEBUG --  
23:            // header("Content-type: text/plain");   
24:                 // organizes $homepageLinks array into something readable  
25:            // print_r($homepageLinks);   
26:                 // returns the organized $matches array  
27:            // echo "link followed = " . $randomFromHomepage . "\n";  
28:                 // returns randomly generated link  
29:    
30:  //----- LEVEL 2 -------------------  
31:    
32:   $level2 = file_get_contents("http://www.dmoz.org" . $randomFromHomepage);   
33:   $stripped_level2 = strip_tags($level2, "<a>");   
34:   preg_match_all("~<a(?:[^>]*)href=\"((http|\/(?!World)[A-Z]\w+)[^\"]*)[^\w*\?q](?<!dmoz|dmoz\.org\/)\"(?:[^>]*)>(?:[^<]*)<\/a>~s", $stripped_level2, $level2links);   
35:    
36:   $newRandomLink = $level2links['1'][array_rand($level2links['1'],1)];  
37:     
38:            //-- DEBUG --  
39:            // header("Content-type: text/plain");  
40:            // print_r($level2links);  
41:            // echo "link followed = " . $randomFromHomepage . "\n";  
42:            // echo "next link = " . $newRandomLink . "\n";  
43:    
44:  //----- DEEPER ITERATIONS ---------- TRY TO GET RID OF MOZILLA, MUSICMOZ, EN.WIKIPEDIA  
45:    
46:     
47:   $internal = preg_match("~\/[A-Z]\.*~", $newRandomLink);  
48:            // print $internal;  
49:    
50:   while ($internal === 1) {  
51:    $nextFile = file_get_contents("http://www.dmoz.org" . $newRandomLink);  
52:    $stripped_nextFile = strip_tags($nextFile, "<a>");  
53:    preg_match_all("~<a(?:[^>]*)href=\"((http|\/(?!World)[A-Z]\w+)[^\"]*)[^\w*\?q](?<!dmoz|dmoz\.org\/)\"(?:[^>]*)>(?:[^<]*)<\/a>~s", $stripped_nextFile, $linksArray);    
54:               
55:            //-- DEBUG --  
56:            // header("Content-type: text/plain");  
57:            // print $nextFile;   
58:            // print_r($linksArray);  
59:            // print "link followed = " . $newRandomLink . "\n";  
60:    
61:    $newRandomLink = $linksArray['1'][array_rand($linksArray['1'],1)];  
62:    $internal = preg_match("~\/[A-Z]\.*~", $newRandomLink);  
63:    
64:      
65:    if (preg_match("~https?.*~", $newRandomLink)) {  
66:     break;  
67:    }  
68:   }  
69:               
70:  //----- REDIRECT -------------  
71:    
72:   header("Location: $newRandomLink");  
73:            // echo "newRandomLink = " . $newRandomLink; //Shows ultimate redirect destination  
74:    
75:  ?>   
76:    

Opening into Infinity

Here are a few shots from the opening of Getting to Infinity at Seton Hall University's Walsh Gallery. I am proud to have been in very strong company. Any one of the artists could have stolen the show, except that the show had already been stolen by Jessica Angel's stellar immersive installation (literally, an immersive, diagrammatic installation of the visible cosmos, oriented to be precisely aligned with real space at 6 pm on the day of the opening.)

Jessica Angel's installation 

Gianluca Bianchino, The Singularity

Julie Oldham, In the Beginning there was Nothing (still) 

Travis LeRoy Southworth, The Continuous Work Drawings, line drawings made with mouse tracking software on his work computer as he edits photos and images.

Foreground: man posing with Chad Stayrook's Ejection Seat #3, Background: Man standing near my Dissolvation

Which brings me to my own piece of this show, Dissolvation. For the backstory and an explanation, you can follow the link below to the first post about the project.

I want to thank everyone who came out. I had a great time talking with you all and sharing in the excellent work!

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